• Gillian's Travels
  • Infrastructure & Mechanical
  • National Gallery of Art Copies
  • Abstracts
  • A Bit of Water
  • Portraits
  • Commissions
    • Bio
    • CV
    • Contact
Menu

Gillian Collins

  • Gillian's Travels
  • Infrastructure & Mechanical
  • National Gallery of Art Copies
  • Abstracts
  • A Bit of Water
  • Portraits
  • Commissions
  • About
    • Bio
    • CV
    • Contact
×

Reproduction or interpretation oil paintings created at the National Gallery of Art, Washington, DC. Gillian has been a copyist at the NGA since March 2014.

 

Featured
Copy of Jan Lievens's "Bearded Man with a Beret"
Copy of Jan Lievens's "Bearded Man with a Beret"

Oil on canvas, 20 × 16 in

"Bearded Man with a Beret"
"Bearded Man with a Beret"
Copy of Karin Bergoo Larsson's, "Pierre Louis Alexandre"
Copy of Karin Bergoo Larsson's, "Pierre Louis Alexandre"

Oil on canvas, 24 × 18 in

"Pierre Louis Alexandre"
"Pierre Louis Alexandre"
Copy of John Singer Sargent's, "En route pour la pêche (Setting Out to Fish)"
Copy of John Singer Sargent's, "En route pour la pêche (Setting Out to Fish)"

Oil on canvas, 27 × 36 in

"En route pour la pêche (Setting Out to Fish)"
"En route pour la pêche (Setting Out to Fish)"
Copy of Jean-Auguste-Dominique Ingres', "Marcotte d'Argenteuil"
Copy of Jean-Auguste-Dominique Ingres', "Marcotte d'Argenteuil"

Oil on canvas, 24 x 18 in

"Marcotte d'Argenteuil"
"Marcotte d'Argenteuil"
Diana's Visit to the Museum (Goddess of the Hunt)
Diana's Visit to the Museum (Goddess of the Hunt)

Oil on Canvas, 24 x 18 in

This artwork was not copied at the National Gallery of Art but was inspired by her presence in the Fragonard’s gallery at NGA

Interpretation of Sir Henry Raeburn's "John Tait and His Grandson"
Interpretation of Sir Henry Raeburn's "John Tait and His Grandson"

Oil on canvas, 24 x 18 in

Interpretation of Sir Henry Raeburn's "John Tait and His Grandson"
Interpretation of Sir Henry Raeburn's "John Tait and His Grandson"

John Tait and His Grandson

Interpretation of Sir Henry Raeburn's  John Tait and His Grandson,
Interpretation of Sir Henry Raeburn's John Tait and His Grandson,

photo credited to Andrew Walsh, instagram:Targetshooterscorner

copy 24 x 18 in

Copy of Johannes Vermeer's "Girl with a Flute"
Copy of Johannes Vermeer's "Girl with a Flute"

Oil on canvas, 10 x 10 in

"Girl with a Flute"
"Girl with a Flute"
Copy of Edgar Degas' Woman Viewed from Behind (Visit to a Museum) -  SOLD
Copy of Edgar Degas' Woman Viewed from Behind (Visit to a Museum) - SOLD

Oil on canvas, 20 x 20 in

"Woman from Behind (Visit to a Museum)"
"Woman from Behind (Visit to a Museum)"
Copy of Auguste Renoir's "Girl with a Watering Can" - SOLD
Copy of Auguste Renoir's "Girl with a Watering Can" - SOLD

Oil on canvas, 28 x 22 in

"Girl with a Watering Can"
"Girl with a Watering Can"
Copy of Claude Monet's "Woman with a Parasol" - SOLD
Copy of Claude Monet's "Woman with a Parasol" - SOLD

1st copy

"Woman with a Parasol"  - 1st copy
"Woman with a Parasol" - 1st copy

Copy of Van Gogh's Roses in progress
Copy of Van Gogh's Roses in progress
Interpretation of Vincent Van Gogh's "Roses" - SOLD
Interpretation of Vincent Van Gogh's "Roses" - SOLD

Roses, my conjecture of his original image integrating the fugitive red pigment (Geranium Lake)

Interpretation of Edgar Degas
Interpretation of Edgar Degas
Interpretation of Edgar Degas' "Four Dancers" - SOLD
Interpretation of Edgar Degas' "Four Dancers" - SOLD

The Dance Lesson
The Dance Lesson

The Dance Lesson

Copy of Edgar Degas' "The Dance Lesson" SOLD
Copy of Edgar Degas' "The Dance Lesson" SOLD
Copying at National Gallery of Art, Edward Degas
Copying at National Gallery of Art, Edward Degas

The Dance Lesson

Green Fields, Auvers - SOLD
Green Fields, Auvers - SOLD

Green Fields, Auvers

Copy of Van Gogh's "Green Wheat Fields, Auvers" - SOLD
Copy of Van Gogh's "Green Wheat Fields, Auvers" - SOLD

Oil on canvas, 22 x 28 in

Cape Cod Evening
Cape Cod Evening

Cape Cod Evening

gdcpaint@gmail.com    All images on this site are copyrighted and may not be used without express written permission from Gillian Collins